Mixed Media
Kathryn has found great freedom in working across multiple media within a single artwork. The interplay of materials allows her to build layered textures, creating depth and complexity as she communicates emotion both to herself and her audience.
Almost Bathurst, Kathryn Guy, Watercolour and Watercolour Pencil, A4, 2024
Newport, Kathryn Guy, Watercolour and Ink, A4, 2024
Kitty Kat On The Prowl, Kathryn Guy, Watercolour and Acrylic Marker, A3, 2024
Perry's First Photo, Kathryn Guy, Watercolour, Acrylic paint, Crayon and Ink, A3, 2024
Sheepy's First Photo, Kathryn Guy, Watercolour, Acrylic paint, Crayon, Fine Line Pen and Ink, A3, 2024
Nothing Nearly Nowhere
Her 2024 collage, Nothing Nearly Nowhere, explores the relationship between past and present. Through this work, she reflects on her place within her immediate surroundings while also considering the vastness of the wider world and the subtlety of her own impact within it. By repeating, reworking, and combining imagery—alongside modifying pre-existing photographs—she brings this introspective vision to life.
Nothing Nearly No where, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up one, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up two, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up four, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up five, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up six, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up seven, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024
Nothing Nearly No where, Close up three, Kathryn Guy, Collage (Oil Pastel, Acrylic Marker), 1m by 1.3m, 2024